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prelude

Prelude in C minor by J.S. Bach (BWV 549) for brass quintet

Nednedflanders

2:04	Est. Play Time
29	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tuba	20	0	5	7	100%
B♭ Trumpet	15	0	7	8	72%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Tuba	20	5	7	100%
B♭ Trumpet	15	7	8	72%
	14	5	7	72%
Trombone	15	5	6	62%
Horn in F	14	4	8	52%

Was willst du dich, o meine Seele, kränken (BWV 425) for wind quartet

Nednedflanders

1:15	Est. Play Time
26	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon	19	0	6	5	100%
Flute	10	0	2	4	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon	19	6	5	100%
Flute	10	2	4	100%
Horn in F	15	5	5	100%
Oboe	12	4	4	100%

Prelude Op. 24 N. 4

GoogleBen

2:06	Est. Play Time
26	Measures
	2,011Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
B Trumpet 1	16	0	8	10	100%
B Trumpet 2	19	0	8	10	100%
View all 21 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
B Trumpet 1	16	8	10	100%
B Trumpet 2	19	8	10	100%
Flute 1	14	4	10	100%
Flute 2	13	6	10	100%
Horn 1 2	13	3	10	100%
Oboe	16	8	10	100%
Piccolo	16	4	10	100%
Alto Saxophone 1	12	6	4	96%
Baritone Saxophone	13	6	4	96%
Bass Clarinet	14	5	4	96%
Bassoon	14	4	4	96%
B Clarinet 1	12	5	4	96%
B Clarinet 2	12	7	4	96%
B Clarinet 3	12	5	4	96%
B Trumpet 3	13	5	4	96%
Euphonium	14	4	4	96%
Horn 3 4	16	6	4	96%
Tenor Saxophone	13	5	4	96%
Trombone 1	15	4	4	96%
Trombone 2	14	5	4	96%
Tuba	13	6	4	96%

Prelude for Saxophone Quartet (no. 2 op. 21)

drsooz

1:17	Est. Play Time
32	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto Saxophone	16	0	6	8	100%
	12	0	4	6	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto Saxophone	16	6	8	100%
	12	4	6	100%
Baritone Saxophone	15	4	7	100%
Tenor Saxophone	15	5	7	100%

Prelude to a Dreamless State of Being

negativefour

1:02	Est. Play Time
25	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin	23	1	6	6	100%
	21	2	3	6	100%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin	23	1	6	6	100%
	21	2	3	6	100%
Viola	17	7	2	4	100%
Flute	17	21	2	7	96%
Violoncello	19	0	3	6	92%
Oboe	13	0	3	6	80%
Contrabass	13	0	1	6	72%
Horn in F	13	14	1	8	64%
B♭ Clarinet	18	1	4	8	63%
Bassoon	14	0	3	8	60%
Timpani	5	0	1	5	60%

Prelude No. 4 By Frederic Chopin

meluto

2:01	Est. Play Time
26	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bombardino	14	0	4	8	100%
Trombón bajo	9	0	3	4	96%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Bombardino	14	4	8	100%
Trombón bajo	9	3	4	96%
Trombón tenor	13	4	4	96%
Tuba en Si♭	19	4	9	96%

Handel – Prelude «Voi che mie fide ancelle» from "Giulio Cesare" for Sax soprano & Strings Synth.

Aquarius-Ru

2:24	Est. Play Time
31	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Strings Synth.	24	51	8	6	100%
Violoncello	15	0	4	9	100%
Saxophone soprano	14	0	6	9	94%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Strings Synth.	24	51	8	6	100%
Violoncello	15	0	4	9	100%
Saxophone soprano	14	0	6	9	94%

Prelude in C (bruce siegel)(george's arrangment)

George8th

0:53	Est. Play Time
32	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	15	0	0	1	96%
	18	0	0	2	100%
View all 7 Parts

	Unique Notes	Unique Chords	Rhythmic Complexity	Percent Played
Piano	15	0	1	96%
	18	0	2	100%
Acoustic Guitar	15	8	3	100%
Contrabass	6	0	1	68%
Violin	5	0	5	40%
	7	0	4	40%
Violoncello	7	0	2	32%

Wagner - Gotterdammerung Vorspiel to Akt 1. {Professional production full score.}

Jamie Holdham

2:15	Est. Play Time
27	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
12 VIOLONCELLE.	24	0	10	4	70%
1 CONTRABASS- TUBA. (C.)	6	0	1	3	67%
View all 27 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
12 VIOLONCELLE.	24	0	10	4	70%
1 CONTRABASS- TUBA. (C.)	6	0	1	3	67%
2.u.3. (B.)	18	21	7	5	66%
12 BRATSCHEN.	17	0	4	5	57%
1. 3 gr.FLOTEN.	9	1	3	5	56%
2 Tenor. (B) 4 TUBEN.	7	2	3	4	53%
2.u.3.	12	10	4	5	48%
	8	6	1	5	52%
	6	0	2	4	33%
1. (B.) 3 CLARINETTEN.	17	0	5	3	52%
1 BASS- CLARINETTE. (B)	13	0	5	4	52%
3.u.4.	15	14	8	5	52%
2 Bass. (F.)	5	4	1	4	50%
3.	15	1	4	5	50%
1.u.2. 4 HORNER.	15	12	8	5	48%
ENGLISCHES HORN.	5	0	2	5	48%
Violins	24	0	9	5	48%
1. 3 TENOR-BASS- POSAUNEN.	7	4	1	4	47%
16 erste 32 VIOLINEN. 16 zweite	22	0	10	4	44%
1.u.2. 3 FAGOTTE.	5	2	2	4	44%
1 BASS-TROMPETE. (Es.)	13	0	5	5	44%
1. 3 HOBOEN.	4	0	0	4	41%
1 CONTRABASS- POSAUNE. (C)	4	0	0	4	33%
8 CONTRABASSE.	5	0	0	4	26%
1. (Es.) 3 TROMPETTEN.	3	0	3	4	22%
2.u.3. (Es.)	4	2	3	3	15%
Pauken.	2	0	1	1	7%

Die Miestersinger Prelude to Act III - Richard Wagner.

Jamie Holdham

0:01	Est. Play Time
30	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncelle.	15	0	3	6	84%
Bratsche.	11	0	3	5	58%
View all 13 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncelle.	15	0	3	6	84%
Bratsche.	11	0	3	5	58%
2.	8	0	2	4	32%
1 Violinen.	7	0	1	4	26%
Fg.1	8	0	2	5	26%
Fg.2	9	0	2	7	26%
Hr.1 in D.	8	0	1	5	26%
Hr.2 in D.	5	0	0	3	26%
Hr.3 in D.	4	0	1	3	26%
Hr.4 in D.	6	0	1	4	21%
3 Pos.	7	3	1	2	16%
2 Trp. in D.	3	1	1	3	11%
B.T.	2	0	0	2	11%

Die Miestersinger von Nurenberg Overture to Akt 2. {Professional production full score.}

Jamie Holdham

1:03	Est. Play Time
29	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Hoboen.	18	13	5	8	100%
Klarinetten in B.	18	16	5	8	100%
View all 15 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Hoboen.	18	13	5	8	100%
Klarinetten in B.	18	16	5	8	100%
Floten.	18	4	5	8	97%
I. Violinen	28	2	5	11	97%
Bratsche.	22	2	4	10	97%
II.	22	15	5	11	95%
III IV in D.	17	12	3	7	95%
Violoncello.	17	1	1	9	93%
Flute	17	2	4	8	90%
Fagotte.	13	7	2	4	87%
I II in F. Hr.	16	15	5	7	75%
KontrabaB.	15	0	1	4	59%
Trompetten in D.	6	0	0	5	50%
Kleinen Floten.	10	0	2	4	31%
Oboe	9	0	2	5	14%